|
|
|
| egyptian queen of the 1019 prophecy |
|
| love need not see what humanity has built around her |
|
| the thought of freedom is the beginning of it's reality |
|
| confrontation with the realities within |
|
| my own personal planet terror |
|
| the never ending performance of her preconceived notions of love |
|
|
| portrait of alice - nowhere girl (pg version) |
|
|
| portrait of the queen of hearts (pg 13 version) |
|
|
| portrait of the red queen of the wasteland for the broken hearted |
|
|
| portrait of tweedle-dee & tweedle-dum |
|
|
| liberal brain training and our new voting machines |
|
|
| aristocracy 2032: portrait of sister dominant superior |
|
|
| aristocracy 2032: the fine art of visualization, desire and futility |
|
|
| aristocracy 2032: portrait of mistress anaista |
|
|
| stem sell 2032: a presentation of our results (part 2) |
|
|
| stem sell 2032: a presentation of our results (part 1) |
|
|
| the monumental task of retiring the old baggage of decaying traumas |
|
| the nothing me the me |
|
|
| translation of love to organic fusion |
|
|
| the manifestation of mutations brought about by the acceptance od self destruction |
|
|
| the day the dame dumped me - in preperation to serve justice |
|
|
| uncensored in new america |
|
|
| black & white contradictions rest on the truth of a televised gray area |
|
| captive of the seemingly eternal octolith of issolation |
|
| the reversal of blessings through man-made celebrity |
|
|
|
|
|
|
|
| for lack of vision at the end of the world |
|
| the damages can be found deep within the shadows |
|
| sinking into the futile swim upstream |
|
| ninja killer number thirteen |
|
| the results of absorbing her surroundings |
|
|
| conversations with portable masters |
|
| end game 1318 |
|
|
| sweet pea shooter & the really big gun |
|
|
| medialand: the bastardization of humanity in a time of great need |
|
|
| the distortion of the plastic ghost of love |
|
|
| i told you, there are some things more important than money |
|
|
| madhouse remnants part 1: stained wedding gowns & cracked memories |
|
|
| madhouse remnants (part 2) celophane restraint in the white room of stained dreams |
|
|
| madhouse remnants (part 3) chysalis at the end of the big wait for nothing |
|
|
| my daydream while in room 101 |
|
|
| memories of the real, held in cold storage |
|
|
| a vacation paradise at the salten sea |
|
|
| elevation on the wings of reality from pre-conceived notions |
|
|
| ruptured reflections on her failed and corrupted inner child |
|
| hypoccrisy's attempted disquise |
|
| the selfish & idealistic disposition of her simulacrum |
|
|
|
|
|
|
|
| voluntary submission to the influence of bastardized values |
|
| and the birthday gift is always unaware of things to come |
|
| pride of the reluctant vessel |
|
| sleeping beauty: revenge is the best poison |
|
| mad men and the destruction of the human home |
|
| the fishing bear |
|
|
| memories of never known futures |
|
|
| filthy lessons in judgement and morality |
|
| forced extraction of the truth |
|
|
| the draining of humanity with virginia as a conduit |
|
|
| the hollow sensation at the end of a self created personality |
|
|
| like all her other words, these too should be silenced to a wasted past |
|
|
| for every tear you've cried, so shall the rain fall |
|
|
| and sometimes I see nothing at all |
|
|
| patron saint of national security |
|
|
| the reversal of blessing through man-made celebrity |
|
|
| the aprehensive rejection of the old self |
|
|
| exhaustion at the bleeding warstone of revenge |
|
|
| rhapsody in a natural seduction |
|
|
| a nocturne to sooth the savage beast within |
|
|
| futility stands against the inevitable |
|
|
| to have gained the world..... |
|
|
| the revelation of prophecy beyond the mechanism |
|
| nexus 7: waiting for the caller |
|
| the return of that hollow, fractured feeling from last week & other potentially discarded notions |
|
| and sometimes the beast leads me |
|
|
|
